Geruchten op line art

Geruchten op line art

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And if you’re a busy working person with a job and family and a house and perhaps a pet or two (phew, it’s a lot isn’t it?), it’s really hard to find the time to fit in a bit ofwel me time. Especially if the only time you have revolves around other people

I rolled tiny balls ofwel silver metal clay and pressed anything with texture into the ball to create these tiny decorations. I made a lot more than I needed and I right them to dry before arranging them, and adding them to the ring.

Everybody has constraints on their time, so offering a flexible online de kleuterschool seemed to be an obvious choice for me.

Due to its purity silver clay doesn’t come cheap, and the small 16g pack that wij were each given to work with costs around £21 to buy. I found it hard to imagine that this small grey blob resembling a piece ofwel chewing gum would soon be transformed, as if by alchemy, into pure silver.

Yes, silver clay is real silver. Once the clay is fired it is metal and it can be assayed. You can find out more about this process here

Pressing the rolled out clay onto the mat successfully imprinted the detailed pattern, and I then used a metal pastry cutter to create my heart shape, before placing the piece in the dehydrator to dry out.

For get more info more information on working with precious metal clay, consult this article on the Ganoksin jewelry webwinkel.

I can take you by the hand through the myriad of silver clay techniques and show you how to make all sorts of jewellery! From the very first module, you’ll be creating beautiful pieces that you can gift or sell – yes, really. My students do it all the time.

Any finishing is a delicate process so just take your time. Carefully smooth away any dinks and dents along the edges of the silver metal clay ring. The more you can do now whilst the silver metal clay is soft but dry, the better and more professional the finish.

I first came across silver clay a couple of years ago when I was given a gift bearing the imprint of my then baby son’s fingerprint. I was amazed by the fine detail and had always wondered how the technique was done, so when I came across Paula Paton’s Learn Silver clay workshops, I was keen to have a go myself and see what could be achieved as a complete beginner.

For some reason, I had expected the dry white pieces to come out of the kiln miraculously transformed into shining silver, and was a little surprised when they emerged looking pretty much the same as when they went in.

For more ideas and inspiration about working with precious metal clay, why not take a look at these books…

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